An Afterlife Good Luck Charm

An Afterlife Good Luck Charm

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Published on

01.05.2022


Brooklyn Musuem

An Egyptian God

Talismans

Lapis Lazuli

Lapis Lazuli on Gem Society

Natural History

The Complete Book of Amulets & Talismans

Right Eye from an Anthropoid Coffin courtesy of Brooklyn Museum
Egyptian, classical, ancient near eastern art
Medium obsidian, crystalline limestone, glass
Made in Egypt
Dates 1539 to 30 b. C. E.
Period of new kingdom or later


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As ancient Egyptians would have it, their gods were gold-skinned with lapis lazuli hair, eyebrows and eyelids. The right eye was originally inlaid in an anthropoid coffin, which was shaped like the human body as compared to a traditional rectangular coffin.

 

The eye inlay is made of obsidian, limestone and cobalt blue glass, which was meant to mimic the precious lapis lazuli stone deeply revered by ancient civilizations. Lapis lazuli was famously crushed down to a fine aquamarine powder and used as eyeshadow by Cleopatra, the queen of the Nile. The precious stone was especially treasured by the Indus Valley Civilisation (3300–1900 BC) and was used in the funeral mask of Tutankhamun (1341–1323 BC).

 

As the Brooklyn Museum explains, “in ancient Egypt, there was no separate word for blue so dark blue could be interchangeable with black. In some cases, the use of blue was just a more expensive way to show what we call blue.”

At death, any ruling king immediately became one with Osiris, while the king’s son, the living king, was identified with Horus, the god of the sky.

The color of the right eye inlay symbolizes that the deceased has passed all worldly trials and tribulations and is now among the gods and Osiris, who was the ruler of the dead and also a force that granted life and fertility to the living world. This binary role was interlinked with the Egyptian concept of divine kingship. At death, any ruling king immediately became one with Osiris, while the king’s son, the living king, was identified with Horus, the god of the sky. Osiris and Horus were thus father and son, while the goddess Isis was the mother of the king Horus and consort of Osiris.

 

A king’s identification with Osiris was not an indication of resurrection, as Osiris could never rise from the dead. It did, however, signify the renewal of life both in the afterlife and through one’s descendants on Earth. Osiris was behind anything signifying life force – from sprouting vegetation to the annual flood of the Nile River.

 

The right eye also has a striking resemblance to classical evil eye amulets, or good luck charms that are believed to confer protection upon its possessor. The word amulet is derived from the Latin amuletum, which Pliny’s Natural History describes as “an object that protects a person from trouble.” Superstitions abound that when someone casts an evil eye or a malevolent glare on someone, then it will cause the person on the receiving end all manner of misfortune and bad luck. To ward off this negative energy, many cultures around the world began to create amulets in the shape of an eye. Evil eye amulets are common in countries from the Levant to Greece, Italy, Portugal, Brazil, the Balkan countries and as far as Iran, India, Algeria and Tunisia.

Lapis lazuli was famously crushed down to a fine aquamarine powder and used as eyeshadow by Cleopatra, the queen of the Nile and was used in the funeral mask of Tutankhamun.

Belief in the evil eye dates back to Greek classical antiquity. It is referenced by Hesiod, Callimachus, Plato, Diodorus Siculus, Theocritus, Plutarch, Heliodorus, Pliny the Elder and Aulus Gellius.

 

Countless authors attempted to convey the quandary that that was the evil eye. Heliodorus of Emesa in the ancient Greek romance Aethiopica, wrote, “When any one looks at what is excellent with an envious eye he fills the surrounding atmosphere with a pernicious quality, and transmits his own envenomed exhalations into whatever is nearest to him.”

 

Plutarch’s supposedly “scientific” explanation theorized that the eyes were perhaps the chief, if not sole, source of the deadly rays that were to spring up like poisoned darts from the inner recesses of a person possessing the evil eye.

 

Plutarch was just dumbfounded and thought the phenomenon completely inexplicable. Pliny the Elder described the ability of certain African enchanters to have the “power of fascination with the eyes and can even kill those on whom they fix their gaze.”

 

The evil eye also made its way into the poetry of Virgil in a conversation between the shepherds Menalcas and Damoetas. In the passage, Menalcas laments the ill health of his livestock: “What eye is it that has fascinated my tender lambs?”

 

The phrase “to give someone the evil eye” also made its way into mainstream culture, especially in English-speaking regions where the evil eye is not taken seriously or not ingrained in the culture. It is taken to mean staring or glaring at someone with contempt or disgust.

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